War Is Not an Attraction

François Truffaut once said: “Even the most anti-war film will inevitably turn out to be pro-war.”
What did he mean? Can films like “Come and See” or “Apocalypse Now” really be considered pro-war?
Why are the most shocking images of war still irresistibly captivating to viewers?
And is it even possible to make a film about a war that hasn’t yet ended?

In this talk, we will explore the nature of (anti-)war cinema and trace how its image has evolved — from “Battleship Potemkin” to “Inglourious Basterds.”

The discussion will be led by Stanislav Malkov — film director, editor, screenwriter, and lecturer, participant and prize-winner of international film festivals.