Program: Music in Theater
Location: GABRIADZE WONDERS STATION
A new cultural space opens in Tbilisi
On the birthday of Rezo Gabriadze, a new point is marked on the cultural map of Tbilisi. Hidden in the lobby of Gabriadze’s first theater, Gabriadze Wonders Station opens its doors for the first time - a new space that will combine music, creative discoveries, interesting stories and meetings.
The name comes from Gabriadze Wonders - the world of Rezo Gabriadze’s imagination, which lives in ceramics, art objects and miniature wonders. Long before the rhythm of today’s city, this corner of Tbilisi was a stop for the famous roller coaster - a place where chance encounters, interesting stories and new beginnings intersected. And today, the history of meetings and stories will be continued by a new cultural space.
The presentation program “Music in the Theater” invites the audience to the sound world of the stage. The evening will combine famous musical fragments from Gabriadze Theater performances and unforgettable musical episodes from other important Georgian theater productions, showing how music continues to tell stories even after the curtain falls.
The special sound of this space is an outstanding witness to the history of Georgian culture - the personal cabinet grand piano of the famous Georgian composer Otar Taktakishvili. The instrument will once again resonate and connect generations of artists and listeners.
Gabriadze Wonders Station is conceived as a space for chamber concerts, creative conversations, archival recordings and unexpected meetings - a cultural haven for travelers and those who still believe that wonders have their own address.
Duration: 90+ minutes.
The number of places is strictly limited.
Age Restriction: 16+.
Address: Ioane Shavteli Street No. 26, Tbilisi
Gabriadze Theatre stands in the heart of Tbilisi's historical Old Town, located at 13 Shavteli Street. It was founded by Rezo Gabriadze in 1981. With a seating capacity of just 80, Theatre is among the world's preeminent cultural institutions.
Director, playwright, artist, and sculptor Rezo Gabriadze crafted his plays, created marionettes, and brought them to life on his stage. His theatre is a unique, author-driven space where medieval marionette art is infused with new significance and seamlessly integrated into Georgian culture. For many years, Gabriadze has promoted Georgian culture internationally through his performances.
In its 40-year history, the Gabriadze Theatre has toured numerous countries and participated in international festivals in Avignon, Edinburgh, New York, Toronto, Belgrade, Charleston, Dresden, Moscow, and other cities. The universality of Gabriadze's artistic language resonates with audiences worldwide, making his characters' emotions universally understandable.
Leo Gabriadze artistic director and producer of the Gabriadze Theatre, is the principal guardian of the delicate poetic world created by his father. Since Rezo’s passing in 2021, Leo has continued his father's work.
Gabriadze Theatre currently features four performances: "The Autumn of My Springtime", "Ramona", "Alfred and Violetta", "Marshal de Fantie's Diamond".
This distinctive atmosphere extends beyond the stage. The theatre's facade itself, features golden letters with Rezo Gabriadze’s motto: “Extra Cepam Nihil Cogito Nos Lacrimare,” meaning “Let tears flow only from chopping onions.” This motto has become a symbol of the theatre and Gabriadze’s universe.
Since 2010, the theatre’s clock tower has become a main attraction, featuring intricate designs based on Gabriadze’s sketches. Every hour, an angel emerges from painted doors to ring a bell. Inside the tower is a small puppet theatre presenting the “Circle of Life" performance twice a day. The tower also features ceramic panels created by Gabriadze. In 2019, Atlas Obscura listed the Gabriadze Theatre's clock tower among the 17 iconic monumental clocks worldwide.
“Rezo Gabriadze is the angel of Tbilisi. We should bow to the audience and respect the puppets, who dislike being treated disparagingly’, he says. And who would disagree with that? Not those who refuse to leave after the performance has ended, who gather in front of the stage to look at Boria and his friends, as if unable to believe that these small creatures will stay there through the night, attached to their strings, in the empty room which is just about to close.”
Le Monde