The Second Act

Actors find themselves on a film set controlled by an AI. A satire on the world of cinema featuring Léa Seydoux and Louis Garrel.

The essence of Dupieux's filmmaking lies in the absurdist mockery of the established laws and norms of cinema. He takes aim at long takes shot in a single take, lengthy dialogues, discussions about the dangers of cancel culture, and so on.

"The Second Act" stands out from Dupieux's other works with its sharper, almost pamphlet-like humor. In this case, it is not the usual aesthetic attraction of absurdity that he often employs, but rather a genuinely funny comedic piece. The characters on screen amusingly cling to one another, deliver pompous speeches, and unsuccessfully attempt to return to the filming process.