Picnic on the Grass

In 1959, Jean Renoir — the no less talented son of renowned impressionist painter Auguste Renoir — directed “Picnic on the Grass” (Le Déjeuner sur l’herbe), a satirical comedy exploring the themes of nature, science, and social norms, drawing inspiration from Édouard Manet’s iconic painting.

The film contrasts a futuristic vision of a technologically advanced Europe with the untamed force of nature, symbolized by a picnic that disrupts the carefully planned engagement celebration of a scientist and politician.

The story follows Étienne Alexis, a scientist and political figure who advocates for artificial insemination to improve society. He hosts a celebratory gathering for his engagement, but a storm — mysteriously triggered by a shepherd’s flute — leads him into the path of a free-spirited farm girl named Nénette.

Set in the south of France around the home of Auguste Renoir, the film places the sun-drenched landscapes of Provence at its center — making nature itself one of the main characters. Renoir uses the film to critique the potential dangers of uncontrolled scientific progress and social engineering, while celebrating the seductive and unpredictable nature of human emotions and desires.

The discussion will be led by Andrey Amirov, lecturer in the history and theory of contemporary art and architecture.