Movie Nights at the Gabriadze Theatre in Tbilisi ᐉ Events Schedule | YOLO | Yolo
Movie Nights at the Gabriadze Theatre

Movie Nights at the Gabriadze Theatre

Movie Nights at the Gabriadze Theatre
13, Ioane Shavtelis St., Tbilisi
Ticket price
from15 ₾
27.10.2026 - 01.11.2026
Select a date
Georgian

Schedule

Select a date
27.10.2026
Tuesday
19:00
30 ₾
30 ₾
more
27.10.2026
Tuesday
21:00
15 ₾
15 ₾
more
29.10.2026
Thursday
19:00
30 ₾
30 ₾
more
29.10.2026
Thursday
21:00
15 ₾
15 ₾
more
31.10.2026
Saturday
19:00
30 ₾
30 ₾
more
31.10.2026
Saturday
21:00
15 ₾
15 ₾
more
01.11.2026
Sunday
19:00
30 ₾
30 ₾
more
01.11.2026
Sunday
21:00
15 ₾
15 ₾
more

Description

“Hari Harale, Mother!” is an animated film warmed by the light of memories, in which Rezo Gabriadze looks back on his childhood.

It is a journey into a world shaped by a little boy's imagination, where reality and fantasy intertwine so closely that it sometimes becomes difficult to tell them apart.

Kutaisi in the 1940s. The war has just ended, life is difficult, and everyone's nerves are on edge. Groups of homeless children wander through the city. Yet in young Rezo's imagination, this harsh reality transforms into a magical world filled with adventures, where new discoveries await at every turn.

There is Library No. 6, suspended above the river, home to Ippolit, a rat with a refined taste for literature, where portraits of literary classics hanging on the walls come to life. There is also an impoverished Georgian village in the aftermath of the war, where a German prisoner is introduced to secret knowledge.

All these extraordinary stories are told by Rezo Gabriadze himself through his drawings, brought to life on screen by director Leo Gabriadze.

Duration: 1 hour.

Photos and videos

Movie Nights at the Gabriadze Theatre

Location

Gabriadze Theatre

Gabriadze Theatre stands in the heart of Tbilisi's historical Old Town, located at 13 Shavteli Street. It was founded by Rezo Gabriadze in 1981. With a seating capacity of just 80, Theatre is among the world's preeminent cultural institutions.

Director, playwright, artist, and sculptor Rezo Gabriadze crafted his plays, created marionettes, and brought them to life on his stage. His theatre is a unique, author-driven space where medieval marionette art is infused with new significance and seamlessly integrated into Georgian culture. For many years, Gabriadze has promoted Georgian culture internationally through his performances.

In its 40-year history, the Gabriadze Theatre has toured numerous countries and participated in international festivals in Avignon, Edinburgh, New York, Toronto, Belgrade, Charleston, Dresden, Moscow, and other cities. The universality of Gabriadze's artistic language resonates with audiences worldwide, making his characters' emotions universally understandable.

Leo Gabriadze artistic director and producer of the Gabriadze Theatre, is the principal guardian of the delicate poetic world created by his father. Since Rezo’s passing in 2021, Leo has continued his father's work.

Gabriadze Theatre currently features four performances: "The Autumn of My Springtime", "Ramona", "Alfred and Violetta", "Marshal de Fantie's Diamond".

This distinctive atmosphere extends beyond the stage. The theatre's facade itself, features golden letters with Rezo Gabriadze’s motto: “Extra Cepam Nihil Cogito Nos Lacrimare,” meaning “Let tears flow only from chopping onions.” This motto has become a symbol of the theatre and Gabriadze’s universe.

Since 2010, the theatre’s clock tower has become a main attraction, featuring intricate designs based on Gabriadze’s sketches. Every hour, an angel emerges from painted doors to ring a bell. Inside the tower is a small puppet theatre presenting the “Circle of Life" performance twice a day. The tower also features ceramic panels created by Gabriadze. In 2019, Atlas Obscura listed the Gabriadze Theatre's clock tower among the 17 iconic monumental clocks worldwide.


“Rezo Gabriadze is the angel of Tbilisi. We should bow to the audience and respect the puppets, who dislike being treated disparagingly’, he says. And who would disagree with that? Not those who refuse to leave after the performance has ended, who gather in front of the stage to look at Boria and his friends, as if unable to believe that these small creatures will stay there through the night, attached to their strings, in the empty room which is just about to close.”

Le Monde

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