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In continuation of the lecture “War is not an attraction: is it possible to film a war without entertaining the viewer” (https://t.me/auditoria_tbilisi/2965), we watch Francis Ford Coppola’s immortal odyssey “Apocalypse Now” from 1979
Let's look at why the director himself does not consider the film anti-war; why this movie is an icon of existential cinema; and, of course, let’s remember how the filming of “Apocalypse” itself turned into an apocalypse for its creator...